Tag Archives: Professional Dance Scene

I CHOREOGRAPH (TO) KIM KARDASHIAN

I’ve been procrastinating about doing this for a while as I sat on the choreography running my mouth instead of my feet. I’m not 16 anymore. I’m more like 16 + a decade + eight years + another decade. I will always choreograph, either for someone or inside my head. My passions are dance choreography and creative writing. With four blogs going and my second book in the works, I’ve got the writing covered. Unfortunately there’s few opportunities for dance in the valley so I’ve decided to start really focusing on getting my moves and steps out there so hopefully someone will see me and need what I have to offer. I’m available!

I’ve taught various styles of technical jazz dance over the years and enjoy moving dancers into new levels of performance. However, I find that I’m a better choreographer than I am teacher. I want to create the moves, teach them to capable performers and clean the rhythms. It’s hard for me to step back into square one and teach basics. But, and that’s a nice firm tight butt, I will and can teach anyone if they in return give me positive attitudes and passion to be there. (Don’t want to shoot myself in the foot!) Give me intermediate to advanced students with energy and pizazz, and we’re gonna rock. Just being honest…

REALITY STAR KIM KARDASHIAN SINGS!

JAM (TURN IT UP)

The song “Shake” (on the YouTube video above) is one I’ve had for a few years. Kim Kardashian claims she had nothing to do with this but my friend DJ Bifford Michael informs me otherwise. Though, Kimmy has taken to the microphone and released “Jam (Turn It Up)” as a first single available here but offers that she’s not starting a singing career. Regardless, I like “Shake” a lot even though it’s been panned considerably. I enjoy what the the beats and grooves offer me as a choreographer (and forever showgirl.)

I felt like this take of the video worked best of the three I filmed. Not bad for an old man. I thought I handled my stamina during the filming very well considering I’m not in class regularly. However, it was after we stopped that it felt as if a small hammer was pounding from the inside of my chest trying to bust through by lungs. Wow… It was intense. But bitch can still move! Trust. Now, that’s the Tea.

WHY “DANCE MOMS: MIAMI” DOESN’T WORK (FOR ME!)

It really is a shame that the one episode I sat through of Dance Moms: Miami turned me off so much we immediately snapped it off the DVR recording schedule and didn’t look back. The premiere that aired on Lifetime TV “Television for Women and the Men who don’t date them” didn’t impress me much. Sure, the dancers are amazing but I found them slightly arrogant. I can’t believe I’ll say this but the second in the series of the franchise doesn’t have the charm of the girls in Abby Lee Miller’s Dance Moms. The Miami moms seem incredibly ruthless and I hope their actions don’t push their children away from them with resentment. I really disliked the moms on Dance Moms: Miami. Truly.

I’d rather wait and see if Abby Lee Miller returns after her emotional breakdown over Maddie’s forgetful breakdown on stage in her spring finale departure in Dance Moms. Wasn’t that something?! She was a hot mess, Miss Abby was. Good for the mothers for standing up (finally!) to her. We get it. Maddie is an amazing performer, I agree, but alright Miss Chloe for the Joffrey Ballet offer! That stirred the drama pot, a bit. Chloe is delightful! Her solo “Black Sun” (I believe it was called) was really sick (in a good way.) I’m so tired of that Cathy from Candy Apples pulling her shade. I’m with Christie, “Go away.”

At the cost of the dance, souls are offered for fame. Times have definitely changed since my modest days of competitive dance and our teachers weren’t as tough as the one’s we see portrayed on screen. They produce winners, yes. Abby, Victor and Angel are all three super choreographers. But I know as a pubescent dancing Steven Michael, I wouldn’t have handled dancing with them very well. I would have been truly put in my place quickly or found my way outside somewhere else. I know studios trained like the ones we see on television it’s just that we wen’t one of them. Sure we went into long hours of rehearsal but we also stuck with the same routines and perfected them. Not change every single competition. That is insane. My hats off to them for the stamina and discipline. And not having a choice.

I wasn’t sure of Victor and Angel’s background so I ball-changed and pirouetted over to their website and checked their Stars Dance Studio. From what I can see on the show Dance Moms: Miami, Angel is the badass tough guy and Victor plays the good cop until pushed. Their dancer’s extensions and technique is ridiculously unreal. Watching their reel off YouTube and their website blew me away. Literally. I kept looking for the wires that held their legs in places that seem impossible. This phenomenal piece of dance in video is crazy sick! Please watch, and believe in true talent. This is it.

IS DANCE MOMS TOO EXTREME?

Do I think that Dance Moms is too extreme? In a word, Very. (fade out)

ABBY LEE MILLER CREATES STARS WHLE CRUSHING SPIRITS

No, seriously. How could anyone see the show and not think the way Abby Lee Miller treats her students is extreme and bizarre? Tears are shed. Muscles are shred. Yes, she coaches working dancers. Yes, her talented girls on the show Dance Moms are really good. But… the show is so staged and created to choreograph story lines that just seem far fetched and ridiculous at the cost of their children, the pawns in the game of reality chess among the moms, Abby and the producers/editors/writers. A writer in reality television? But it’s unscripted! Yeah, right. Surely you’ve heard slips from the directors from behind the cameras while feeding the girls lines and topics. And I can’t fathom having to deal with someone like Cathy from Candy Apples and her disrespectful unprofessionalism. Obviously she is there for the dramatic effect because she is a snake with a horrid hairdo. She is so wrong it’s still not right.

I danced, choreographed and taught classes. We competed in workshops and competitions just like the girls we watch on the show. It’s just that the dance world I lived in had not evolved into what we watch on Lifetime TV. This chaotic, disrespectful, hurtful, mind-blowing, brainwashing hour of television. The mothers love the warmth of the spotlight often at the cost of their daughters sanity and their  self-respect. Abby is not the only teacher in the area so why go to her if she treats and degrades their girls like Miller does? Because each one of them are ready for their close-up, Mr. DeMille – mothers and daughters alike.

The Outrageous Abby Lee Miller

Lifetime TVs “Dance Moms”

One of the girls I used to dance with told me on Facebook that her daughter took from Abby briefly and she is exactly what you see. Brass and brazen. Then she said and I quote, “Miller is a blemish in the dance scene.” Ouch!

DANCE MOMS ON LIFETIME – REALITY TV GUILTY PLEASURE

Every once in awhile I’ll become privy to inside scoop about Hollywood this or Showbiz that. Now being purely hearsay, I recently met someone who’s BFF is one of Brooke’s teachers and told me how much they get paid which is not much considering how well the show is doing. No totals here but I’m told the moms and the daughters get the same each. All of the girls seem to come from different school districts to take at Abby’s and be on the show, and that allegedly the cheerleading tryout for Brooke was completely fabricated. If you can’t trust reality television, who can you trust? (cue laugh track)

TELEVISION TREASURES

Was watching Modern Family last evening and had to rewind when I heard Ed O’Neil’s characters say (and I quote) “Sometimes on the race to the Top you have to grease the pole behind you.” Gay men HAVE to be writing this stuff! The dialogue is too damn priceless. We got a great guffaw and kept watching the smart show. There’s a few sitcoms that catch our attention for repeated viewing like Tina Fey’s brilliant 30 Rock and Courteney Cox’s missing-from-the-lineup-for-too-long Cougar Town. Other than that, not many. 2 Broke Girls with Kat Dennings is really quick witted and I’ve loved her ever since she was the 13-year-old “bat mitzvah beast” going on thirty in the fabulous episode called Hot Child in the City. Great show. It’s one of those I keep on my iPhone so when I travel I can pull it up because Kat’s performance is sick. Loves it…

Then on Lifetime’s smash hit Dance Moms the evening prior I squealed when dance-inatrix (would that be dance teacher + dominatrix?! you get my point)  Miss Abby Lee Miller told her new 10-year-innocent protégé to “Save the tears for your pillow in your room, alone” after she came off stage from her solo that didn’t go as well as expected. Priceless. Oh, the joys of delicious writing. What?! Reality TV  isn’t scripted? Think again, friend. Yes, Abby is extreme but she produces stars and talent like few do so if the mothers allow the training and the kids don’t go running, applause applause, I say. It just started it’s second season of snapping, sassing and we watch intently.

Heading into to work now so I’m instructing you to set your DVR to record some smart and funny writing delivered by the characters that make them famous. And you can quote me on that! Happy Weekend. xoSM

MY “DANCING WITH THE STARS” EXPERIENCE

STEVEN SPILLS © 104

DANCING WITH STEVEN

When ABC’s rating juggernaut Dancing With the Stars premiered thirteen seasons ago the skepticism began. I wasn’t sure how it would fare over time. The show’s UK predecessor Strictly Come Dancing was a smash over seas. However, entertainment transfers to our soil do not always transcend audiences into repeat viewing and support. If it doesn’t involve Kardashians, lip-syncing for your life or desperate public humiliation with a rose ceremony we’re not interested. But as we know now years later, DWTS has captured top spots in the Nielsen ratings becoming a huge success!

I contacted a few connections about getting tickets and luckily two seats were offered. Since the hoopla surrounding Mr. Chaz Bono was so fierce and Miss Carson Kressley was a contestant as well, I thought I’d make an effort to attend a live show in person. Plus, seeing celebrities when the camera is off them is interesting to me. Spoilers ahead so if you don’t want to know the inside scoop, please turn the page. Ah, ha! I knew you couldn’t go anywhere!

After a easy drive into Los Angeles with my pal and confidant John Lustenring, we ran through Japan Town for sushi to-go at Nijiya Market and quickly pressed it to CBS Studios at The Grove. We arrived and without discussion we parked, opened the doors and stripped down into our fancy show clothes. Time was of the essence and we knew that we were pushing it.

The email I had received prior to our arrival confirming the tickets gave the details, where to go, what to wear and the begging of “Please no cell phones.” Whoopsie! Not sure how that ended up in my pocket and not in the car safely. We scooted quickly up the street to Gate C6 and checked in at VIP. Perfect timing as our line proceeded not through the metal detectors where I assume they collected phones but directly between both screeners as a security guard shouted out to someone, “Who are these people?!”

Once inside we were instructed to look for our names on gold chairs. The awe of the studio with the bright lights takes you back because it is quite grand. I looked and looked for our names. And there they were pressed up against the stage, literally. Our seats were next to all of the action and about a chair or two away from the dance floor. And yes, you know I strutted my stuff on that floor. I had to for every dancer who wishes they could. I simply strutted out, posed down, turned and repeat. Just saying.

(Love this photo I snapped of Chynna’s final moments. Brooke and Tom on the side with the entire cast in support of her and what she had accomplished!)

Sitting behind us, I saw where actress Garcelle Beauvais had her Blackberry in tow texting so I figured celebrities were exempt from the no phone rule. I bravely snapped a few pictures during the show considering how close we were but I couldn’t resist. Even before taping began I mistook a bomb-sniffing dog that was being led around the studio as a possible cell phone-sniffing K-9 tattletale. Plus this bitter chick in front of us had her phone grabbed up as she came in and couldn’t get over it. We kept ours on the DL. It was sheer luck we actually got them in by the looks of the circus after the show of people claiming their phones. Pure chaos.

Now here come the true Hollywood stories. The show I attended was the Results Show when Chynna Phillips was excused from her duties after a complete blank-out breakdown the night before. She is gorgeous in person and sat quietly watching from above in Brooke (ultra-petite) Burke’s lounge for the judges scores. After voting Chynna couldn’t “Hold On” for one more day. Rob Kardashian’s ass is equally stunning. Man, he is smoking hot and I hate that expression. Susan Boyle was prerecorded at another time and edited in. No big loss according to the lack of expression from judge Bruno Tonioli who sat rolling his eyes during playback.

The Footloose production with DWTS alum Julianne Hough was really fierce and actually recorded twice before the show began its “live taping.” The set breakdown for that number was quite extensive. Country crooner Blake Shelton performed the title track as dancers tore up the floor scooting boots across wood. Chaz Bono looked more masculine in person and sadly Cher wasn’t there but Adam Shankman, William Baldwin and Paul “Pee Wee Herman” Rubens were. Overall we had a blast and will love going again sometime maybe next season leaving our phones where they belong (wink, wink.)

2011 © PULP

“DANCING WITH THE STARS” LIVE

WOW! It’s been a wonderful day, long but exciting. I worked until 1 p.m. when I punched it to Los Angeles with co-worker/dog-sitter/confidant John to see ABCs Dancing With The Stars, or DWTS to those in the loop. A good friend in the entertainment industry hooked me up with tickets that led us to some fierce seats next to the stage, all VIP. I was living as we were quickly escorted to our seats literally against the stage. Here are some highlights in a nutshell… Julianne Hough looks GORGE in person and she rocked the stage! Rob Kardashian’s ass is deep-delish with a capital BAM! The set, stage and sound stage C6 at CBS is amazingly grand and awe-inspiring. Celebrities in attendance: Adam Shankman, Garcelle Beauvais, Paul “Pee Wee Herman” Rubins, yummy Blake Shelton performing, Brooke Burke-Charvet looking petite and stunning with a snatched-back ponytail, Yours truly dressed in a pink Brooks Brothers shirt for National Coming Out Day in support of LGBTs Carson and Chaz who looks more masculine in person than in media, Chaz not Carson. The crowd is really there for Chaz Bono! Very supportive. The evening was fun and I’m thrilled we had the chance to go in and watch a taping of DWTS. There’s more details to follow but I’m worn from hand-clapping and dancing on my feet to Footloose twice (that production was taped two times) and driving back late this evening luckily in the carpool lane with a pass through Japan Town for sushi and Krispy Kreme’s on the way home. Was sorry to see Chynna Phillips go because she is beautiful and unfortunately last evening was not her night. And on that note… Good Night!

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GOING GAGA FOR “SYTYCD”

Lady Gaga sat with film director and choreographer Rob Marshall last evening on So You Think You Can Dance (SYTYCD) and she became one of the very BEST judges the show has ever had. I’ve watched every season and Gaga was engaged, passionate, present, honest, knowledgeable. From her very first comments I knew shed be amazing. Her Alexander McQueen heel-less platforms were unbelievable and when she threw them at both Sasha and Melanie, as well as choreographer Sonya Tayeh it was magical. Ever think about Online colleges as an option for the fashion-conscious who desire to be as fashionable as Gaga? Whether you want to learn more for your personal style or study fashion design, there are many options out there. But down with the penicls and on with the show since I’m watching the results show now, live.

Highlights of the show were both contemporaries with Melanie (with sexy Neil) who was basically offered a job by Gaga, and All-Star Allison with Marco which brought Gaga to her feet and tears. Both routines were phenomenal. The ten-foot leap Melanie did into Neil’s arms was ridiculous. I gasped! However, her final routine choreo’d by Sonya seemed custom made for firecracker Sasha but was still fierce.

Back to results. First round of cuts were no surprise as I predict here (live) Caitlyn will go home with Jordan and her lovely legs going to stay and probably place third-place girl overall. For the guys, Marco was safe and Jess dropped into bottom two. Surprising. Ricky made it through over Tadd which was also surprising to me. Ricky must have a strong fan base. He is very talented and the only one I’ve really seen dance for their lives in their solos.

The League of Extraordinary Dancers were WOW! Standing-O from audience. Unbelievable. Dancing-For-Lives Solos were next. Jordan killed Rihanna’s “S&M.” Jess turned his Broadway out and his pirouettes were crazy! Caitlyn was predictable. Tadd almost killed himself in an ariel  twist off the stage. My opinion is that he and Caitlyn are going. We’ll see…

Lady Gaga… TURNED IT OUT! “Edge of Glory” and “You and I” (which I love!) with dancers. Great number. Nice pace. Sexy Mark, SYTYCD alum, in the mix. GAGA RULES! No doubt about that. This has been her moment.

In the end, the going-home bus took both Jordan (shocking!!!) and Jess (another gasp!) but everyone has to go except one. But I agree that Tadd has truly evolved! Great job, dancers! Good show. Top 6, here we are. Cat Deely, good luck at the Emmy Awards! You deserve the win!

“SYTYCD” TOP TWELVE TWIRLS

Another episode of SYTYCD has just begun again and I’m here to blog it live! It really seems the guest judges are giving star power as Jesse Tyler Ferguson from “Modern Family” joins Sonya Tayeh as additional commentary on the panel with “Mom and Pop” Nigel and Mary. And we’re off…

Sasha and Alexander do the paseo doble. She was rocking it and then I believed it to have slipped in energy, routine wise. I also thought she fell in a sloppy slip trick down his body. It was a nice opening for the show. Cat looks sexy and smoky eyed. Love her beaded frock! Gorge. Sasha will probably be in final four. Predicting now. Their second routine was a jazzy jazz and this Tyce Diorio number was wonderful! Loved it. Great emotion. Perfect combination.

SYTYCD darling Travis Wall created contemporary showed the skills of leggy Jordan and a sexy B-boy Tadd, and it rocked. Her legs are ridiculous. Great routine from the great Travis Wall. Round two was a Rent piece from these Broadway babies and it just didn’t grab me, nor the judges. There was no excitement. Whah-Whah-Whah.

Ricky dances Ryan in a Broadway piece by Spencer and I enjoyed it. I’m iffy on Broadway numbers but I liked it. It was soft and gentle, and the judges gave it hell and have mentioned them not connecting with the viewers. I believed it to have been performed nicely. Don’t agree much with the judges on this one?! Their second number was a fast cha-cha from sexy Louis Van Amstel and the two were good but Ricky was better. Ryan looked sloppy and rushed. Ricky is on the Hot Tamale Train, Ryan is not.

Mitchell and Caitlyn do a “meaningful” hip-hop and it never grabbed me. She looked like a white girl trying to hip-hop. Didn’t work for us at all. Nor for the judges. Finally we agree. I do like Jesse’s suit. Not sure why he’s there. But, OK. A spunky Travis Wall jazz number was next for the two performers and they did well. It had moments. Didn’t kill me, though.

Cutey-Cutey Melanie and partner Marco did a Louis Van Amstel tango and turned it out! Some great off the edge of stage stuff I lived for. I agree with Jesse about these two “having that spark.” And with Sonya’s comment of them being “timeless.” A dramatic lyrical was their second piece and it was really nice. Great music and musicality.

Jess and Clarice did a lyrical hip-hop by Christopher Scott and did they turn it?! Oh, yes. Very nice. Good job by both! I agree with Mary Murphy and they did have swag. On a side note I hope Sonya comes into the DCI competition this weekend in Ontario. Would love to meet her. Next up, this couple danced a jive and they turned that out! He’s great! Love that song, “Ain’t Nothing Wrong With That.” Great energy and super finale got the show!

Next week the couples are split and this is where the best separate from the great. Great show tonight! Good Night Everyone.

TRAVIS WALL ELECTRIFIES “SYTYCD”

I decided to take a break last week from blogging SYTYCD so I could enjoy the show and put my iPhone away. I blog the show on my WordPress App and it can be slightly frustrating, at times. When I heard on Twitter that Travis Wall was judging and Justin Giles was choreographing, I had to watch and share thoughts. I danced against Justin during our youth at Showstoppers and Dance Makers in Myrtle Beach and our Cadillacs only beat his Southern Strutt once but damn it felt good.

The Southern Strutt were/are phenomenal and we only hoped to have been seen and become as good as the Strutt was. They made us become better performers by being the best and the ones the spotlight always shined on. The Southern Strutt gave me the onstage confidence that I never would have had without knowing who they were. And I never danced with them. I only danced like them. There’s my hero worship. Let’s watch the show!

The Top 14 perform and Carmen Electra joins the judges along with Travis and adds beauty, but not much else. Wish they’d change the opening a bit. Same choreo for all the years. Cat looks good. Fun, even. Travis who is everywhere looks dapper. Carmen admitted a love for trashing which I assume is hair throwing and body rocking.

Guy group number with Justin choreographing. He looks good. The routine was powerful but different from what I was expecting. Would have loved to see the guys dancing more choreography together. Lots of solos within group. Got Tweet from my dancing buddy Jon Paul about Justin making his mom Nancy proud. I agree. Good for him! Would love to be in his shoes.

Melanie and Marco were first. “Americano” by Gaga. Yawn. Sorry to say. It was sloppy and not he best they’ve done. Oh Travis, the cheerleader. He worships them. Carmen, you’re very pretty. The routine didn’t grab me. Mary’s spray-tan is too much. Loved Cat’s comment about Marco not inhaling. You had to have watched.

Sasha and Alexander tried to hip-hop-until-they-don’t-stop-stop. What was the tree prop about?! I didn’t mind the routine, too much. Sasha was the star of the number. It was alright.

Next Jordan and her legs danced with Tadd. Ooh, smoke machine. Dreamy. I’m a tough sell tonight, and as of late. It was the waltz but missed the mark for me. Didn’t grab me and I watched her. It’s all about the girls this season! However, I heard where the ratings are lower this season. Eh, it is what is. I’ve been agreeing with Travis’ comments most. Very similar to mine.

Jess performed with Clarice dancing a Justin Giles piece. Very nice. Really enjoyed it. Great choreography. Judges loved it as did I. Best routine of the evening so far.

Ashley wore some high heels into church before sexy Chris’ montage began. Salsa was the flavor of the routine and I was ready to be worked. She looked like she was 7′ tall. Her legs were amazing. I disagree with Travis. “You know I love you guys.” Blah, blah. Carmen agrees, of course. Mary, too. I liked it. There.

Ryan shares her connection with Mia Michaels and worships, as do I. Ricky’s voice echoes for dramatic effect when he talks about being a cheerleader in high school. Jazz, dated but fun and technical. Watch the girls more than the guys. Oh, Carmen having fun.

Next up we see Caitlyn and Mitchell’s gorgeous ass fall in love through a Mandy Moore contemporary. I called the standing ovation. Best routine of the night. Easily. I agree with Mary! Great, great performance!

Final seven girls do a sexy jazz piece. Fun number! Nigel was jumping up and down of excitement. Good Night.

ANOTHER ROUND OF TWENTY

Last week on SYTYCD no one was sent home which I have feelings about but it doesn’t really matter at this point. I think it was a very dramatic cop-out. Whoops, was going to save that opinion for later. Whoopsie! All Top 20 will be dancing again with 4 going home tomorrow night. Debbie Reynolds joins the Mary-Nigel judgment team for the evening. I believed Lady Gaga was going to judge this week, but alas, no. Let’s dance!

Ryan and Ricky are wacky and wild together. How cute. Mandy Moore choreographs the two in a jazz piece of sexiness and tension. I like her but I didn’t feel any chemistry between them. The routine was nice but it didn’t kill me. (Oh, Mary’s spray tan!) (What is Cat wearing?!)

Footloose movie trailer during the commercial break bores me. Julianna Hough is hot but the rest is Yawnsville. Looks just like the original that hasn’t aged well. Some things are better left done as it was. Alrighty FOX for the HIV+ mom and son commercial!

Kaytlin and Mitchell did an Adele contemporary to “Turning Tables” and it was lovely. Stacey Touki choreographed the beautiful piece. His leaps were amazing. She was love. Debbie Reynolds trying to steal the moment. Predictable.

Next up… Wadi and Missy danced and damn her legs and extension. Ballroom was the pick and the cha-cha was the taste. Oh, they looked a hot mess in rehearsal. For a b-boy he did good but needs to attack the floor more. Comes with technique. The routine was good but showed definite need for work when you break it down seriously. Again, Debbie acts up.

The “Kiss of Death” Bollywood routine was up next with Iveta and Nick. I was bored during the rehearsal clips. She had trouble finishing her moves and it lost steam. Wasn’t a winner, sadly.

Robert and Miranda (her legs!) paired up to do a NappyTabs hip-hop routine. White girl can dance. Hot routine. Didn’t mind it at all. Not always a fan of their work. They all did a great job! I love this show where the dancers do their humble headnod when they are complemented. Oh, Debbie does Woody Woodpecker. It’s Debbie’s night. Miranda fell?!

Another leggy gal Clarice and cutie Jess pulled the contemporary card. It was nice but sorta boring. Didn’t grab me. Have headed to get a snack. Next. I guess Debbie is there to agree with everything being great.

Jordan and Tadd take on the Viennese waltz and elegance is king. I’m a hard sell as the night goes on. I was bored and unmoved. Can’t say much more. It was fine.

My favorite Melanie danced next with Marco. Mandy Moore jazzed them up with hats and accents, strong and exact! The routine turned out real cute and very enjoyable. This couple is a great mix.

Sasha paired up with Alexander for a NappyTabs emotional hip-hop about soldiers returning from war. They performed it well, but again, it didn’t kill me. Not a favorite. Sorry. An emotional Mary was the true highlight for me.

Last up we had Chris and Ashley performing a Broadway number with sexual tension and jailhouse bars. This is from Cry Baby. Great use of the prop. Fun finale for the night!

Good show and will be glad to see some dancers go home. Too many to keep up with! Great job everyone! Good Night!